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Laura P.Gracia (Barcelona, 1982). Curator, artist, and researcher. Currently, she is a Ph.D. student at Crisap – UAL, where studies the new tendencies in curatorial practices and cultural management in sonic arts. In 2006, she graduated in Art History (University of Barcelona). Consequently, studies at Master in Cultural Practices and New Media Art (University Ramon Llull). In 2009, establishes in London where attends to Curating course (Central Saint Martins, UAL). One year after, she was granted to study at MAH Media Art Histories (Donau University, Krems, Austria). In 2011, attends the professional course about New Media Curating, led by Beryl Graham (University of Sunderland). Interested in sound art, science, technology and digital media, she is an active participant in hacking culture. Over these years, as a curator, she has taken part in many international events such as exhibitions, workshops, conferences, publications, and concerts in Spain, Portugal, UK, Mexico, Colombia, Canada, Serbia, Russia, Hong Kong, the U.S., and Brasil. Among the collaborations, she developed projects with various institutions such as Fonoteca Nacional de Mexico, MACBA Museum of Contemporary Art Barcelona, CCCB Centre of Contemporary Culture Barcelona, MOTA Museum of Transitory Art, ISEA International Symposium of Electronic Arts. She has worked with the following new media festivals, ArtFutura, MUTEK, Alpha-ville. She collaborates with artists such as Locus Sonus, Scanner, Roy Ascott, Konrad Becker, Fran Illich, Milo Taylor, and Arcangelo Constantini, among much more. One of the future activities which support her practice-based research is the exhibition “Sounding D.i.Y.” (various venues, London, 2017).