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Trained as a classical pianist and composer, my practice profoundly changed once theatre, dance and performance more broadly came into the game. Dramatic expression, the physicality of gestures and choreography became as important as sound itself and currently, all my works live interdisciplinarily. Always structural and systematic, I often still use scores and scripts to inform the moment of actualization of my performative ideas. I am thus interested in language and communication, emergence and game theory, and in the dichotomic relationships between structuralism and randomness, chaos and complexity. The contacts with sociology and critical studies have profoundly transformed me. I cannot avoid being critical and analytical, always holding conceptual rigour as important as aesthetics and technical quality.