Occupy The Pianos – Infinite Acceptance
Taking its title from Rilke, Per Nørgård’s astonishing two-piano piece opens into a chaotic and joyous embrace of wild, colourful and rhythmic sounds. After this the concert becomes more contemplative and the audience shares in the music-making with Pauline Oliveros’ work. After the interval a coda of luminous delicacy in pieces by Feldman, Harvey and Scelsi, leading the audience and the players towards the final event of the night…
