Takuroku Review Open Call
Guest EditorCafe Oto and The Sampler are launching a joint open call for reviews of Takuroku releases – a new digital label set up by…
STANDARD SIZE LEADERBOARD
Telematic Sonic Performance Part 1: A short introduction
Guest EditorXimena Alarcón introduces the history and practice of Telematic Sonic Performance, which she broadly defines as a performance playing with…
Manchester Collective: Paradise Lost
ManchesterCollective North WestIn Paradise Lost, some of the earliest classical music is dragged, kicking and screaming, into the 21st century. Tune in for the online premiere ft. Vessel and Rakhi Singh.
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Jessica Summers
Brighton
Mixing old songs with new, soprano Jessica Summers and pianist Jelena Makarova bring their Living Songs project to the Brighton…
Psappha – Schoenberg arr. Webern, Chamber Symphony No. 1
Psappha North WestPsappha’s Lockdown Series continues with Schoenberg’s Chamber Symphony No. 1
Sinfonietta Shorts Live
London Sinfonietta OnlineLondon Sinfonietta’s principal viola Paul Silverthorne. takes us through Ben Foskett’s Four Impressions and Sally Beamish’s That Recent Earth.
Sinfonietta Shorts Live
London Sinfonietta OnlineLondon Sinfonietta Principal First Violin Jonathan Morton takes us through Tom Coult Études 3 and 4, in this next episode of Sinfonietta Shorts Live.
Bang on a Can Marathon 2020 Live Online! #2
jensenartists InternationalBang on a Can is hosting its ALL LIVE Bang on a Can Marathon free to stream online. All Marathon performers and commissioned composers are being compensated by Bang on a Can.
Sinfonietta Shorts Live #4
London Sinfonietta Online*New date*
Experience Shiva Feshareki’s ORBIT, a virtual 360 audio experience, in an episode of Sinfonietta Shorts, hosted by London Sinfonietta’s Zoë Martlew, followed by a Q&a
Joby Talbot’s Everest
Sarah Hirons LondonIt’s May, 1996. As their plans disintegrate and a blizzard closes in, four climbers confront the summit of Mount Everest…
Audio Testimonies Online Symposium 2020
ambroseseddon LondonThis symposium considers the place of Audio Testimony in artistic practice, and will explore the ways in which artists use sound to enable new forms of testimony.
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