
The Sampler Mixtape #7 @ Resonance FM
Guest EditorListen again and see below for a complete tracklist – as heard on Resonance FM on Friday 13 May 2022…
Listen again and see below for a complete tracklist – as heard on Resonance FM on Friday 13 May 2022…
Emily Hall writes about what it means to be both mother and composer – the ways in which her composition…
Michael Quinn reviews 5AM by Ute Kanngiesser & Daniel Kordík (with writing by Evie Ward), released under Takuroku — Cafe…
Evie Ward reviews What We Said When We Met by Rachel Musson & Corey Mwamba, released under Takuroku — Cafe…
Matthew Perrett reviews Invisible by Ikue Mori, released under Takuroku — Cafe Oto’s digital label supporting artists in lockdown. Ikue…
Jez riley French reviews「Song of the taste」by OLAibi, released under Takuroku — Cafe Oto’s digital label supporting artists in lockdown….
Ruari Paterson-Achenbach reviews Breathing Air as Dark Swallows by Audrey Chen & Kaffe Matthews, released under Takuroku — Cafe Oto’s…
Spencer Grady reviews Sun and Sky and Garden Breeze by Yoni Silver, released under Takuroku — Cafe Oto’s digital label…
Alejandra Cabrera reviews Tunnel Vision by Aircode, released under Takuroku, Cafe Oto’s digital label supporting artists in lockdown. London-based Swedish…
Following a joint open call with Cafe Oto, The Sampler presents a series of commissioned reviews for Takuroku releases. …
Stephen Chase reviews Day Night by John Edwards & Caroline Kraabel, released under Takuroku, Cafe Oto’s digital label supporting artists…
Amardeep Singh Dhillon reviews Critique + Prosper by Ecka Mordecai, released under Takuroku, Cafe Oto’s digital label supporting artists in…